Summer evenings at the family home, leaning against the car — father and son talking late into the night. It began with improvisation. Those conversations, which started when Rob was 21, expanded into the larger questions: creative process, spirituality, how one lives in relation to the world. For Stan, they were a cat
Zasis — Rob Kaplan, Thomas Chapin, Bill Sloat, and Thad Wheeler — entered every performance with nothing pre-planned. For Stan, watching them was creative fuel. A visual record of music made in the moment.
Son inspired father, father inspired son. What began as doodles on a school notebook became a college art class project, then a creative practice project for dancers — passed back and forth across decades and art forms, and in the end, a language between them when words no longer worked.
In 2002, Stan's sketches found their way into two of Rob's publications — Rhythmic Training for Dancers and An Interactive Guide to Music for Dancers (CD-ROM). The design team at Human Kinetics built around them — opening each chapter section, appearing throughout the book, and anchoring the visual world of the CD-ROM.
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