Stan's work was noticed — by critics, by editors, by the companies and publishers who wanted his eye on their projects. This section collects some of what was written about him, what he made for others, and two published articles on his wood-carved murals, in his own words.

A work of art to me expresses some concern with aspects of our environment, society, and personal life. Ideas, states of being or emotions have to communicate with significant form, color and shape. When I see poetic metaphor, I am moved to more than one level of understanding.
—Stan Kaplan

By Stan Kaplan as told to Joan Hess
The document details Stanley Kaplan’s mural creation process, emphasizing research, thematic selection from literature, and technical methods like carving, staining, and gold leaf application on Philippine mahogany. It highlights challenges in design fitting, installation, and lighting, showcasing dedication, collaboration, and craftsmanship aimed at enriching library space and promoting arts and humanities.






Illustrated Booklet, c. early 1960s
Stan's illustrations for a promotional booklet from Miltown's manufacturer — one of the first widely prescribed tranquilizers, and a forerunner to Valium.
By Stan Kaplan
The artist explores wood as a flexible medium for relief sculpture, blending carving, staining, and inlay techniques inspired by diverse cultures, especially Indian and Northwest American tribes. He emphasizes wood’s organic warmth, inventiveness, and expressive potential, aiming to fuse modern art concepts with traditional craftsmanship, creating dynamic, emotionally resonant works adaptable to interior and architectural needs.
© 2026 KaplanPrints | All images and content are the property of the Estate of Stanley Kaplan
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.