Catch - All Sections

The 20th century witnessed a remarkable evolution in the art of printmaking, a medium that blended traditional techniques with innovative approaches to expression. Artists like Stanley Kaplan crafted unique works that reflect the changing landscapes of society and culture. This era saw the emergence of various movements and styles, from Modernism to Pop Art, each contributing to the expanding vocabulary of print media. Printmaking became a vital channel for personal expression and social commentary, as many artists utilized the medium to address pressing issues, challenge norms, and foster dialogue. The accessibility of prints allowed for broader distribution of artistic ideas, enabling a deeper connection between creators and their audience.
In exploring the diverse techniques of this period, one can find a wealth of methods including lithography, etching, woodblock printing, and screen printing. Each technique offers unique possibilities, allowing artists to push the boundaries of their creativity. The collaboration between printmakers and artists often culminated in artist's books, a fusion of visual art and literature that offered profound insights into the artistic process. Stanley Kaplan’s work exemplifies this spirit of exploration, characterized by meticulous craftsmanship and a commitment to thematic depth. As you delve into the archives, you will discover how these artistic choices shape the narratives and messages conveyed through the prints, inviting you to engage with the history and significance of American printmaking.

Go to The Old Print Shop

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Sketches (Coming Soon)

This section is still taking shape — part of the living archive. Stan sketched throughout his life, from high school in the early 1940s well into his eighties. These sketches show how ideas found their way into prints, and how designs kept returning years later in new forms.

Videos

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Stan kept returning to the Brooklyn subway as subject across six decades — from early sketches in the 1930s to prints made as late as 2003. Music by composer Lou Harrison.

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Stan's 1960 commission for a series of football murals at Manuche's Restaurant didn't end there. The research fueled a body of prints that kept evolving over the years. Music by David Karagianis, with game broadcast audio.

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From sketches to prints, to reimagined variations. Sketches from growing up in Brooklyn apartments in the 1930s evolved into woodcut prints that were revisited over the years.

Music: The Bad Plus
Artist: Stan Kaplan

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Watching Zasis perform was inseparable from drawing them. Rob Kaplan, Thomas Chapin, Bill Sloat, and Thad Wheeler entered every performance with nothing pre-planned — and Stan's sketchbook was always open. This video traces how those live observations became prints and ultimately an artist's book.

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Sketches — Coming Soon —

This section is still taking shape — part of the living archive. Stan sketched throughout his life, from high school in the early 1940s well into his eighties. Organized chronologically, these sketches show how ideas found their way into prints, and how designs kept returning years later in new forms.

200 hundred year old book spines

Discover the Beauty of Artist's Books at KaplanPrints

Exploring Artist's Books

Stanley Kaplan's artist's books are exquisite collections that blend art and literature, encapsulating his commitment to social justice and community stories. Each book offers a unique visual experience, crafted through a meticulous process that highlights the intricacy of printmaking as an art form.

A Journey Through Printmaking

Dive into the artistic journey that defines Stanley Kaplan's work in artist's books. From the inception of an idea to the final print, every step of the creative process is thoughtfully executed, resulting in one-of-a-kind pieces that resonate with audiences and collectors alike.
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Explore the Depths of American Printmaking History

Join us in uncovering the rich tapestry of Stanley Kaplan's artistic legacy. Each piece invites you to discover the stories and inspirations behind a lifetime of creativity.

Features

First Instruction

Create a line gesture as a foreground on the page. Taper the gesture so it is thinner and thicker. Then fill it in.

Second Instruction

Using ONE doodle shape, fill in the whole page in and around the foreground shape.

Another Example

Rob's Doodle Project—Phase 1—COPY

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Phase One (Option A)

Write your name in cursive across the whole page — or choose another word with personal meaning. One word, written large, across the entire page. Then begin changing and enhancing the shape: double the lines, make them taper in or flare out, color them, create areas of positive and negative space. Let the letters become something more than letters.

Next, choose a single doodle shape and let it unfold as a background — behind and around the foreground, throughout the whole page. Most people don't stick to one doodle shape, and that's fine. That's the conversation taking over.

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Phase One (Option B)

Pick up a pen. Start drawing. No plan, no judgment, no erasing. Let the line go where it wants and follow where it leads. Mistakes become new directions. A design conversation between you and the page.

This is by Jenna Miller.

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Phase Two — 3-D, Collage, or Mixed Media

This is by Sumana Mandala. From Graduate Creative Practice, ASU, 2017.

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Haley Wilcox's Phase 2 took the form of a telephone. This video shows how she animated it in Phase 3. This is from Graduate Creative Practice at ASU, 2016.